CCM is lame, but is it dangerous too?

I liked Jars of Clay’s first CD back in the 1990s, so hearing Dan Haseltine’s (at best) mealy-mouth words about gay marriage was disappointing. But it wasn’t surprising. I gave up on the Christian Contemporary Music (CCM) scene long ago… too treacly, too effeminate, too prophetically weak.

On its surface, I guess it’s better that people are listening to watered-down CCM praise music than Beyonce’s songs about sex acts, but when people take a deeper look into what their Christian artists believe, they’ll probably hear about the need to affirm sinful behavior, avoid “organized religion,” “deeds not creeds,” etc. When I listened to Christian Rock a generation ago, the bands I liked believed it then, and the culture is intensifying the propaganda against Biblical morality. People can sometimes discern the “wide road” appeal of the latest secular acts since their error is mixed with little truth, but Christian artists can hide potentially damning beliefs like the ones above behind a spiritual facade and carefully-tousled hair. “Inoffensive” is better for the bottom line while they’re popular, so you may have to mine a bit to find it, but once the popularity recedes a bit then you tend to find out what people really think. Or at least you hear how they’ve drifted downstream with the culture.

This guy thinks the Christian music industry has many homosexuals. I believe him because famous artists- actors, musicians, etc.- tend more than the general public to come from unstable backgrounds, discernment isn’t usually at the top of their list of gifts, and the life of a popular traveler is one of multiplied temptations. People tend to get addicted to fame.

The wise men in this age of triumphant mockery can laugh as they will, but for those with ears to hear, who know that the beyond the grave and the approving multitudes lies judgment, I think it is wise to be more discerning with “Christian” than non-Christian artists.

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